May 4, 2020

When one bus is not enough.

It's been almost four years since the St. Louis MetroMarket first hit the road providing fresh and affordable produce to food dessert communities. The bus has become a well recognized fixture with high demand. With help from the American Heart Association the MetroMarket was able to add the VeggieVan, allowing for on-route resupply and increasing their capacity to provide good food to people who want it.

I was excited to help out by designing a logo and vanwrap using the same design language that we developed for the bus.

February 12, 2020

Many Tellings Accepted into CA Illustration Annual 61

My recent project "Many Tellings" was accepted into the Communication arts illustration annual as a series.

This project takes inspiration from nine conceptual models of multiverses or parallel universes and uses each model as an opportunity to reimagine a classic folk tale or story from oral tradition. You can check out the whole project Here

December 12, 2019

Hoops in the park

A drawing from a rare sunny day in December.

May 16, 2019

Yellowbelly

Travis Howard and Tim Wiggins of Retreat Gastropub have teamed up with Top Chef’s Richard Blais to create a bright, modern bar and restaurant with the feel of a relaxing, seaside getaway. With a cocktail list that reads like a love letter to rum, and a menu equally catered to fearless foodies and less daring diners – Yellowbelly offers a tropical, (and highly instagram-able) spot to hideout from the hustle and bustle. I was excited to add some mural to the space.

May 30, 2018

Riverfront Times Cover

The Riverfront times annual summer issue is full of articles, lists, quizzes, and guides to the best of the region. Rather than illustrate any single article the editors were looking for a cover image that gave off the feeling of summer in St. Louis. We decided to show a cookout full of little moments and easter eggs that STL folks would recognize with the shadow of the arch framing the scene.
Thanks to new RFT AD Evan Sult for trusting me with his first cover!

May 29, 2018

Things You Stop Seeing

This Winter I had the opportunity to mount a solo show at 1888 Center. 1888 is a hub for local arts and literature in as well as a publisher of short form fiction and producer of podcasts, workshops and much more. I was invited to show some work in conjunction with the release of a new novella "And Then, This" by Kevin Staniec.
For years I've taken a sketch book with me any time I travel and the act of sketching  has always helped me get acclimated in a new place and commit details to memory. I had been doing a lot of these sketches since moving to LA from St. Louis a few months earlier. Because Kevin's novella deals heavily with themes of restlessness and the experience of feeling out of place in a new environment I thought it made sense to dive deeper into my own experience of looking at LA as a newcomer. I started turning some of my sketches into more developed paintings with the idea of focusing on subjective memories of place. In the end I made eight paintings in acrylic on wood panel and called the show "Things you stop seeing" in a nod to the little details of a place that catch your eye as a newcomer and then slowly fade into the background.


May 29, 2018

Schlafly Batch No. 40004

Over the last few months I had the chance to watch a beer come to life. I was invited to participate in Schlafly’s annual Artist Series release where their brewers work in tandem with a local artist to develop, name, and package a beer from scratch.

In our first meeting the brewers led the conversation talking about ideas they had been wanting to try and thinking about what might make a good fit for the Artist Series beer. We knew it would be a late spring/early summer release so it made sense to think about lighter flavors that would be good to drink outside in the sunshine. Also, because it would be a one time event beer it made sense to try something a little outside the box. As the brewers were discussing different extracts and obscure processes somebody joked that it was a bit like listening to a bunch of alchemists compare notes which became our first design direction.


I went home and started compiling mood boards and making some early sketches taking a lot of inspiration from astrology charts, cabinets of curiosities and old medical diagrams. When the design team  (Sarah Frost a designer for Schlafly, Will Rogers the brand manager and I) met again we all agreed that we were excited about this vibe and that it left a lot of room for creating fun imagery for the label and eventually a cool interactive exhibit at the Art Oustide event where the beer would premiere. We still didn’t know exactly what the beer would be or what it would be called though.

The next time we all sat down the brewers had done some experiments and narrowed in on a direction. It would be a golden ale with ginger and lime extracts which they would then age with chips from bourbon barrels giving the beer a hint of bourbon flavor. So basically it was Schlafly’s take on a Kentucky Mule. Initially we in the design group thought we were going back to square one, since bourbon and the Kentucky mule cocktail come with a pretty established set of visual references. We started thinking about cocktails or western motifs, smugglers, saloons etc but it all felt pretty straightforward and nobody was as excited as we had been with the alchemist/ witchdoctor vibe.

At that point we realized that we might find something new by combining the two concepts and so was born Dr Kentucky: the mysterious potion maker with the head of a mule. I thought it would be fun to pull the color scheme directly from the recipe and so we wound up with gold, green, and dark brown palate signifying ginger, lime and bourbon. We thought about giving the beer a purposely wordy title harkening back to advertisements for dubious medical tonics and cure-alls. we settled on “Dr. Kentucky’s concoction from his curious cabinet. Batch No. 40004”. The number is the zip code of the county in kentucky where bourbon is made.

With all of this in mind I went back and created some more detailed sketches taking the idea for the character and trying to put it in the context of a label.

We agreed that the sketch with multiple hands and a flaming cauldron was the best fit for the mail label and I went ahead with turning that sketch into a finished design. My first version used a hand drawn symmetrical 40004 which was cool but competed for attention with the illustration. I swapped that out with a blocky type version.

Once this main label was locked in it was time to move on to the rest of the bottle. I came up with some diagrams/runes that illustrate the basic ingredients in beer and in the Kentucky mule. We came up with a long-winded description description trying to reference the style of early medical elixirs and traveling snake-oil salesman.


Once our final beer design was in I put together a poster to show Dr. Kentucky’s cabinet of curiosities. These will be available at the art outside event along with a variety of other mysterious prizes.
It was an absolute pleasure to work with the team at Schlafly throughout this process. They trusted me and gave me a lot of leeway to push things as far as possible, always contributing ideas to make the final product better.

The beer will be hitting shelves around St Louis this week and it's really, really (really) good. It brings together a lot of different flavors with a really light touch and it's surprisingly refreshing. I'm not just saying that because I have to. There is a lightness about it that is a little bit like ginger beer or even Kombucha, but combined with a really solid golden ale flavor. I plan to enjoy plenty of it this summer. Hopefully you will too! thanks for reading.

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